I was just reading a novel by Mary Higgins Clark in which her character states that Emily Dickinson may have been a better writer if she was able to face her emotions instead of being afraid of them. I've been dealing with that very same thought in my own writing lately.
Many bad things happened to me as a child. Although I had a privaledged upbringing, my mother was still abusive. It took me thirty-five years to find my calling as a writer and I credit my horrendous mother and difficult childhood for leading me to writing. But the sentence I read in MHC's book struck a cord with me. I am afraid of my own emotions and I know it's negatively affecting my writing.
If I can't face my own emotions, how can I possibly expect to convey them to the reader?
You'll find this situation a lot in the world of writers. Most successful or memorable writers and poets were successful and memorable because of their tormented minds; Sylvia Plath, Edgar Allan Poe and Ernest Hemingway just to name a few. Where would we be without the products of their tortured psyche?
Everyone's had it rough in their life. I'm certainly not going to sit here and wax superior on my mental issues. Writers are an eclectic bunch, that much is certain. It's because of their torment and obstacles and abuse that their message is so relateable. But I have some work to do. Somehow, I have to stop being afraid of crying and welcome the tears. I have to stop being terrified of terror and write about it. Somehow--and I don't know how--I have to trust the world and people and myself. Somehow I have to close my eyes and allow myself to fall backward, trusting that something will catch me.
Until I can let the trust in, my writing will only be good. It will never be profound.
Am I alone in feeling this way? Are there other writers out there who feel that something is missing from their writing? Would Sylvia have written as well if she were mentally stable? Would Ernest have touched as many hearts without the alcohol? If Edgar hadn't suffered great losses, would his lyrics have been lost in time?
What are your thoughts? Do you consider yourself a tortured artist or does beauty determine your prose?
An excellent resource for all you hopeful authors out there
Tuesday, December 13, 2011
Thursday, December 1, 2011
Is Unique a Good Thing or a Bad Thing?
Greetings followers and friends!
I have two dilemmas to pose to you today and keep this in mind: I ABSOLUTELY WANT YOUR INPUT ON BOTH.
Ready? Great.
Recently a writer friend took the time to read a short story of mine. She enthusiastically enjoyed it and when I asked her what she thought of my style, she replied, "It was entertaining and easy to read." Now, I'm all for the "entertaining" portion of her response. It was the "easy to read" part that irks me. It's not the first time someone has mentioned that my writing is "easy to read".
Why does it irk me, you ask?
Well, I'm not sure if I should take such a statement as a compliment or an insult. When they say "easy to read", does that mean that my writing flows with no obscure thesaurus words to snag your brain on or does it mean that my writing is elementary level like something my twelve-year old daughter might hastily scribble for English class???
There's a big difference there. I certainly don't want to slather my query letters all over the internet if the response is going to be "What a sweet kid" or "Awww, isn't that cute. She's trying to write."
Dilemma #2 is still in the realm of dilemma #1, but resides somewhere on a side street:
Have you ever noticed all the books that end up on Oprah's nightstand are heart-wrenching, soul-searching, Kleenex-consuming epic tales?
I don't write like that. I write for entertainment purposes. When I sit down to read a book or watch a movie, the last thing I want is a good cry. But these are the best-sellers, folks. These are the reasons we have Pulitzers.
Secondly (and this is directed to the fellow writers out there,) have you noticed how established authors can break every steadfast law of writing once they've built a name for themselves? Gone are the days of adhering to the publishers rules of "good writing". Sure! Use all the adverbs you want. Have a field day with dangling participles and head-hopping POV changes.
For an author looking to be signed to a deal for the first time, such offenses are a death sentence.
I do not write stories to stir long-buried emotions or to tackle the crimes of humanity. I offer my readers a fun, adventurous read. Apparently, I'm the only writer on the planet to do so.
So here's my question to you: Is my unique, non-life-altering writing style going to keep me from getting signed or is it going to set me apart from the herd of conforming sheep??
In the writing world, is "unique" a good thing or a bad thing?
Your input on the subject would be greatly appreciated. If you'd like to see a sample of writing for research purposes or otherwise, please see my website under "Creations".
I have two dilemmas to pose to you today and keep this in mind: I ABSOLUTELY WANT YOUR INPUT ON BOTH.
Ready? Great.
Recently a writer friend took the time to read a short story of mine. She enthusiastically enjoyed it and when I asked her what she thought of my style, she replied, "It was entertaining and easy to read." Now, I'm all for the "entertaining" portion of her response. It was the "easy to read" part that irks me. It's not the first time someone has mentioned that my writing is "easy to read".
Why does it irk me, you ask?
Well, I'm not sure if I should take such a statement as a compliment or an insult. When they say "easy to read", does that mean that my writing flows with no obscure thesaurus words to snag your brain on or does it mean that my writing is elementary level like something my twelve-year old daughter might hastily scribble for English class???
There's a big difference there. I certainly don't want to slather my query letters all over the internet if the response is going to be "What a sweet kid" or "Awww, isn't that cute. She's trying to write."
Dilemma #2 is still in the realm of dilemma #1, but resides somewhere on a side street:
Have you ever noticed all the books that end up on Oprah's nightstand are heart-wrenching, soul-searching, Kleenex-consuming epic tales?
I don't write like that. I write for entertainment purposes. When I sit down to read a book or watch a movie, the last thing I want is a good cry. But these are the best-sellers, folks. These are the reasons we have Pulitzers.
Secondly (and this is directed to the fellow writers out there,) have you noticed how established authors can break every steadfast law of writing once they've built a name for themselves? Gone are the days of adhering to the publishers rules of "good writing". Sure! Use all the adverbs you want. Have a field day with dangling participles and head-hopping POV changes.
For an author looking to be signed to a deal for the first time, such offenses are a death sentence.
I do not write stories to stir long-buried emotions or to tackle the crimes of humanity. I offer my readers a fun, adventurous read. Apparently, I'm the only writer on the planet to do so.
So here's my question to you: Is my unique, non-life-altering writing style going to keep me from getting signed or is it going to set me apart from the herd of conforming sheep??
In the writing world, is "unique" a good thing or a bad thing?
Your input on the subject would be greatly appreciated. If you'd like to see a sample of writing for research purposes or otherwise, please see my website under "Creations".
Tuesday, October 25, 2011
NaNo Fever
It's that time again. November is National Novel Writing Month (aka NaNoWriMo) and anyone who's been writing for six months or more knows about the NaNo challenge: 50,000 uncensored, unscripted words in 30 days.
Last year I missed this event. I had just finished a novel and I wanted a breather. As I watched the month progress without me participating, I was delighted (and I'll admit, envious) of my writing buddies progress and excitement. I lived vicariously through them, offering words of encouragement when they stumbled and cheers when they succeeded. All the while I vowed to be a part of the great NaNo adventure in 2011.
Has it already been a year???
Now I feel hurried to pick a project and run with it. At first I was going to use the challenge to finish my NIP, but that wouldn't fit the spirit of the exercise. If I wanted to do it right, I'd have to start from scratch.
Mind you, this is no problem. I have what I like to call my "Safety Deposit Box". It's a list of all the novel and short story concepts I've come up with over the years, and I have plenty. At last count, I have 24 novels waiting to be born. It shouldn't be a problem picking one, should it?
Riiiigghht.
I love them all. Where shall I start?
There are a few I can eliminate on the basis that they are short stories, not novel-length. A few more I can eliminate since they require a more seasoned writer and plenty of research to pull them off properly. That leaves about 15 choices and only a few days in which to make my choice. Oh how I hate choices!
So, are you joining the insanity this year? Do you think you can handle 50,000 words or will you crack-up under the pressure?
Find me on Facebook or on the NaNoWriMo website (see above link). I'm listed under both as "Jennifer B. Fields. We can crack-up together, cuz I'm doin' this, baby!
Best of luck to you crazy writer-types.
Last year I missed this event. I had just finished a novel and I wanted a breather. As I watched the month progress without me participating, I was delighted (and I'll admit, envious) of my writing buddies progress and excitement. I lived vicariously through them, offering words of encouragement when they stumbled and cheers when they succeeded. All the while I vowed to be a part of the great NaNo adventure in 2011.
Has it already been a year???
Now I feel hurried to pick a project and run with it. At first I was going to use the challenge to finish my NIP, but that wouldn't fit the spirit of the exercise. If I wanted to do it right, I'd have to start from scratch.
Mind you, this is no problem. I have what I like to call my "Safety Deposit Box". It's a list of all the novel and short story concepts I've come up with over the years, and I have plenty. At last count, I have 24 novels waiting to be born. It shouldn't be a problem picking one, should it?
Riiiigghht.
I love them all. Where shall I start?
There are a few I can eliminate on the basis that they are short stories, not novel-length. A few more I can eliminate since they require a more seasoned writer and plenty of research to pull them off properly. That leaves about 15 choices and only a few days in which to make my choice. Oh how I hate choices!
So, are you joining the insanity this year? Do you think you can handle 50,000 words or will you crack-up under the pressure?
Find me on Facebook or on the NaNoWriMo website (see above link). I'm listed under both as "Jennifer B. Fields. We can crack-up together, cuz I'm doin' this, baby!
Best of luck to you crazy writer-types.
Thursday, September 22, 2011
Interaction Required
Hi! Remember me?
Yes, it's been awhile, but I'm still here...plucking away. My family and I are struggling. Although we now have jobs and can pay our measly bills, we're still living in a 22ft travel trailer with three dogs. For those of you keeping count, that's three people + three dogs divided by 22ft of cramped space and stale air. Dog hair and B.O. are the biggest issues. Obviously when I'm not writing, I'm cleaning. And might I say, "Thank God for a good vacuum!" And Swiffer Dusters,
And disinfecting wipes,
And (last but not least) air freshener!
Although my life is anything but settled, I'm still writing. I have commandeered the tiny, fold-down table in the trailer as my desk territory. I have my laptop. I have my printer and I have a coffee pot. What more could a girl ask for?? Well, perhaps a door. You know, a door that is attached to four walls providing privacy when said door is closed.
But I digress.
We're as settled as can be until we can afford a house of our own. We'll get there...eventually.
Now I'm turning my efforts toward getting to know my new town and community. It's easy for me to make friends. Harder to keep them once they find out how...eccentric I am. I think Salem will be different in that department. There are plenty of people here who are the same brand of eccentric as me, if not more so. That's why we chose Salem. It seems to be where "my kind" migrates.
We've been here four months and I've noticed my need for interaction is growing increasingly urgent. I need to be with other writers. I crave stimulating conversation on the subject I've devoted my life to. I cannot tell you how hard that is to find. Once I do find it, I weep for the person on the receiving end of my deluge. Think about it: I've been holding all of this in for...how long?? Months? No, years! I'm going to be a chattering time-bomb of repressed ideas, expressions and dreams.
How can any writer contain themselves with such riches?
Easier than I can, apparently.
Since I've been in Salem, I've met two women who have always dreamed of writing a book. One of those women has a list of story ideas waiting to be written...but she doesn't do it!
How is this possible?!?
When I was starting out, there was no way I could ignore my muse until a later, more convenient time. You don't argue with your muse! A writer is ruled by their muse, so much so that it robs them of sleep, gets them in trouble at work, makes them pull to the side of the freeway when an idea hits them.
I have another example that irks me. The other day, I watched the Lifetime movie about J.K.Rowling's story. If the movie is accurate, she wrote all seven Harry Potter books and left them sitting in a box (albeit a decorative box) for ten years before she let anyone have a peek at it.
That would drive me insane!
I want everyone to read my books. At this point, anyone will do. And Heaven help the person who shows a glimmer of interest in my work. I'm shoving stories at them left and right. "Here, read this. You'll like this one. Here's a short story. Do you like Fantasy stuff? Try this one."
Sure. I sound desperate, but the truth of the matter boils down to two things:
1.) As Stephen King said in his book "On Writing", everyone needs their Ideal Reader, someone who will read their stuff and be perfectly honest about what they read.
2.) Writers need the interaction of other writers. If they're anything like me, they might implode if they don't get the interaction they need. More so if you're an introverted writer. You could be a literary genius, but if you don't get out there and meet people, no one will ever know you exist.
I thought that was the end of my post, but as I reread, I felt the need to add a critical piece of advice. When you're talking to a writer who is spilling their creative guts to you about their work, listen to them. Don't shut them off or find some way to get away from them (unless they're creepy, and you know what I mean by creepy.) Perhaps they're just like me. They haven't had a kindred spirit to talk with. Once the initial barrage is over, your relationship could have the potential for give-and-take.
Too often I've met writers who don't care about anybody else's stuff. Their work is all that exists to them. Sure, your time is valuable, but you might be looking at your Ideal Reader. The motor-mouth you meet at a party could be your most valuable critic in the future. Give 'em a chance. You never know...
Yes, it's been awhile, but I'm still here...plucking away. My family and I are struggling. Although we now have jobs and can pay our measly bills, we're still living in a 22ft travel trailer with three dogs. For those of you keeping count, that's three people + three dogs divided by 22ft of cramped space and stale air. Dog hair and B.O. are the biggest issues. Obviously when I'm not writing, I'm cleaning. And might I say, "Thank God for a good vacuum!" And Swiffer Dusters,
And disinfecting wipes,
And (last but not least) air freshener!
Although my life is anything but settled, I'm still writing. I have commandeered the tiny, fold-down table in the trailer as my desk territory. I have my laptop. I have my printer and I have a coffee pot. What more could a girl ask for?? Well, perhaps a door. You know, a door that is attached to four walls providing privacy when said door is closed.
But I digress.
We're as settled as can be until we can afford a house of our own. We'll get there...eventually.
Now I'm turning my efforts toward getting to know my new town and community. It's easy for me to make friends. Harder to keep them once they find out how...eccentric I am. I think Salem will be different in that department. There are plenty of people here who are the same brand of eccentric as me, if not more so. That's why we chose Salem. It seems to be where "my kind" migrates.
We've been here four months and I've noticed my need for interaction is growing increasingly urgent. I need to be with other writers. I crave stimulating conversation on the subject I've devoted my life to. I cannot tell you how hard that is to find. Once I do find it, I weep for the person on the receiving end of my deluge. Think about it: I've been holding all of this in for...how long?? Months? No, years! I'm going to be a chattering time-bomb of repressed ideas, expressions and dreams.
How can any writer contain themselves with such riches?
Easier than I can, apparently.
Since I've been in Salem, I've met two women who have always dreamed of writing a book. One of those women has a list of story ideas waiting to be written...but she doesn't do it!
How is this possible?!?
When I was starting out, there was no way I could ignore my muse until a later, more convenient time. You don't argue with your muse! A writer is ruled by their muse, so much so that it robs them of sleep, gets them in trouble at work, makes them pull to the side of the freeway when an idea hits them.
I have another example that irks me. The other day, I watched the Lifetime movie about J.K.Rowling's story. If the movie is accurate, she wrote all seven Harry Potter books and left them sitting in a box (albeit a decorative box) for ten years before she let anyone have a peek at it.
That would drive me insane!
I want everyone to read my books. At this point, anyone will do. And Heaven help the person who shows a glimmer of interest in my work. I'm shoving stories at them left and right. "Here, read this. You'll like this one. Here's a short story. Do you like Fantasy stuff? Try this one."
Sure. I sound desperate, but the truth of the matter boils down to two things:
1.) As Stephen King said in his book "On Writing", everyone needs their Ideal Reader, someone who will read their stuff and be perfectly honest about what they read.
2.) Writers need the interaction of other writers. If they're anything like me, they might implode if they don't get the interaction they need. More so if you're an introverted writer. You could be a literary genius, but if you don't get out there and meet people, no one will ever know you exist.
I thought that was the end of my post, but as I reread, I felt the need to add a critical piece of advice. When you're talking to a writer who is spilling their creative guts to you about their work, listen to them. Don't shut them off or find some way to get away from them (unless they're creepy, and you know what I mean by creepy.) Perhaps they're just like me. They haven't had a kindred spirit to talk with. Once the initial barrage is over, your relationship could have the potential for give-and-take.
Too often I've met writers who don't care about anybody else's stuff. Their work is all that exists to them. Sure, your time is valuable, but you might be looking at your Ideal Reader. The motor-mouth you meet at a party could be your most valuable critic in the future. Give 'em a chance. You never know...
Sunday, July 10, 2011
There's No Vacation for Writers
Hi, remember me?
I don't want to know how long it's been since my last post. My family and I have been planning, executing and dealing with the aftermath of moving to a new state. We're still in limbo since we haven't found a house yet, but despite our physical discomfort, one thing remains constant: I am still a writer. Even though I don't get to write as regularly as I could before, my mind is constantly working, cranking out new ideas and working over the old ones.
That's why I wanted to write this post, because a writer is never NOT writing. Even if I was vacationing in Fiji, I would be writing about the things I see there. If I was relaxing at an ultra-posh Spa, I'd be writing about the things I experience there.
So even though I haven't been able to sit down and write as regularly as I would have liked in the last month or so, I'm always writing in my mind. I think any true writer would do the same.
Now, as I'm getting settled in my new surroundings, I've come up with a better storyline for my first book "Hibiscus, Believe". It was such a good storyline, that I decided to rewrite the whole thing. Quite an undertaking, but it will be very much worth it. Perhaps I should change the title of my blog to "The Evolution of Hibiscus." Naaaaa.
I hope it won't be as long before I get around to another post, but I fully intend to share my adventures with you about living in my new town of Salem, Oregon.
TTYS!
I don't want to know how long it's been since my last post. My family and I have been planning, executing and dealing with the aftermath of moving to a new state. We're still in limbo since we haven't found a house yet, but despite our physical discomfort, one thing remains constant: I am still a writer. Even though I don't get to write as regularly as I could before, my mind is constantly working, cranking out new ideas and working over the old ones.
That's why I wanted to write this post, because a writer is never NOT writing. Even if I was vacationing in Fiji, I would be writing about the things I see there. If I was relaxing at an ultra-posh Spa, I'd be writing about the things I experience there.
So even though I haven't been able to sit down and write as regularly as I would have liked in the last month or so, I'm always writing in my mind. I think any true writer would do the same.
Now, as I'm getting settled in my new surroundings, I've come up with a better storyline for my first book "Hibiscus, Believe". It was such a good storyline, that I decided to rewrite the whole thing. Quite an undertaking, but it will be very much worth it. Perhaps I should change the title of my blog to "The Evolution of Hibiscus." Naaaaa.
I hope it won't be as long before I get around to another post, but I fully intend to share my adventures with you about living in my new town of Salem, Oregon.
TTYS!
Saturday, May 7, 2011
Grain of Salt or Complete Overhaul?
I've recently had my work critiqued and annihilated twice. I've been eager to find a critique partner who writes the same genre as I do. I need someone to read my work with fresh eyes and give me an honest opinion. Unfortunately, I'm getting a little too much honesty. People can be downright cruel.
I try to take their advice under serious consideration; look at it with an open mind you might say, but when I go back and read my work, I fall in love all over again. I just don't see what is so awful. I love my writing. I think it flows nicely. I love the dialog (this is my strong point and I've never heard anything to the contrary.) I read it over and over and I simply cannot see anything that would constitute a public flogging.
Yes, I want to improve my writing.
Yes, I want other writer's opinions of my work.
Yes, I have every intention of taking their advice to heart and making the necessary changes to make my novels appealing to the masses.
But I have to admit, folks: I'm in love with my stories and my characters and as we all know, love is blind.
What's a writer to do when they can't see past the end of their keyboard?
I try to take their advice under serious consideration; look at it with an open mind you might say, but when I go back and read my work, I fall in love all over again. I just don't see what is so awful. I love my writing. I think it flows nicely. I love the dialog (this is my strong point and I've never heard anything to the contrary.) I read it over and over and I simply cannot see anything that would constitute a public flogging.
Yes, I want to improve my writing.
Yes, I want other writer's opinions of my work.
Yes, I have every intention of taking their advice to heart and making the necessary changes to make my novels appealing to the masses.
But I have to admit, folks: I'm in love with my stories and my characters and as we all know, love is blind.
What's a writer to do when they can't see past the end of their keyboard?
Friday, April 29, 2011
The Genre Swamp
99.9% of the time, the work of genre fiction writers does not fit neatly into one designated category. Not knowing exactly where you belong can be so frustrating. Especially for a writer. For example: I like to say my novel Wallflower is a Paranormal, romance, mystery, fantasy. Although that sums it up for others to understand what they're about to read, it doesn't help the author to know how to market it.
As an author seeking representation, do I categorize Wallflower as a Paranormal Romance? Sounds fine, but what about the fantasy aspect of it? Fantasy commonly uses things like gnomes and fairies in some invented kingdom. My story deals with a girl who's half ghost and half tangibly real on modern day Earth. Although it has a fantastic theme, it doesn't really fit the general Fantasy genre.
And what about the mystery in my story? My two protagonists get themselves in trouble when they inadvertently connect a series of assaults and killings to one man in their own hometown. Does this mean I should query agents that represent Mystery?
It's enough to pull your hair out.
No one's book fits neatly in one box. So how do you sort it out?
Two words: Critique Partner
In this department, I am lacking. As of now, the tiny town I live in isn't exactly bursting at the seams with writer to writer interaction. That's why I'm so thankful for the internet. A world of fellow writers awaits at my fingertips and believe me, I've scoured the planet for my perfect match.
I was beginning to think that I was an anomaly, that no one writes the same sort of stories I do. But I've found new hope in two new websites I've recently discovered.
I'd like to introduce you to Crit Partner Match.com. This website is like a dating service for writers, only you're not looking to marry them, you're looking to find a like-minded critique partner. I've spent hours upon hours lost on this site. Aside from finding a CP, you can post questions on their forums, start your own blog and join study groups and contests. Very much worth your efforts.
Last, but most definitely not least, is a new beta site called Bookcountry.com. Started by the well known publisher Penguin Books, Book Country offers a vast network of resources for writers. This site concentrates on sharing your work with other writers for reviews and critiques. You can post some or all of your work on your profile. Others can find your work using the impressive "genre map" that tells the reader exactly where your book fits in. Aside from sharing your work, the detailed profiles they offer help you find like-minded writers to connect with all over the world.
As of now, this site is free to join. Be sure to tell a friend and help this site grow, but be warned: you will spend hours glued to this site. There's so much to see and take in that it will easily eat up your afternoon, heck your whole day. (Just ask my husband. He went without dinner all week.)
I've babbled enough, but I'd like to finish by saying that I'm no closer to finding out where I fit in. I'm hoping that with the feedback I receive from these two sites, I'll be better equipped to target the most appropriate agents.
TTYS
As an author seeking representation, do I categorize Wallflower as a Paranormal Romance? Sounds fine, but what about the fantasy aspect of it? Fantasy commonly uses things like gnomes and fairies in some invented kingdom. My story deals with a girl who's half ghost and half tangibly real on modern day Earth. Although it has a fantastic theme, it doesn't really fit the general Fantasy genre.
And what about the mystery in my story? My two protagonists get themselves in trouble when they inadvertently connect a series of assaults and killings to one man in their own hometown. Does this mean I should query agents that represent Mystery?
It's enough to pull your hair out.
No one's book fits neatly in one box. So how do you sort it out?
Two words: Critique Partner
In this department, I am lacking. As of now, the tiny town I live in isn't exactly bursting at the seams with writer to writer interaction. That's why I'm so thankful for the internet. A world of fellow writers awaits at my fingertips and believe me, I've scoured the planet for my perfect match.
I was beginning to think that I was an anomaly, that no one writes the same sort of stories I do. But I've found new hope in two new websites I've recently discovered.
I'd like to introduce you to Crit Partner Match.com. This website is like a dating service for writers, only you're not looking to marry them, you're looking to find a like-minded critique partner. I've spent hours upon hours lost on this site. Aside from finding a CP, you can post questions on their forums, start your own blog and join study groups and contests. Very much worth your efforts.
Last, but most definitely not least, is a new beta site called Bookcountry.com. Started by the well known publisher Penguin Books, Book Country offers a vast network of resources for writers. This site concentrates on sharing your work with other writers for reviews and critiques. You can post some or all of your work on your profile. Others can find your work using the impressive "genre map" that tells the reader exactly where your book fits in. Aside from sharing your work, the detailed profiles they offer help you find like-minded writers to connect with all over the world.
As of now, this site is free to join. Be sure to tell a friend and help this site grow, but be warned: you will spend hours glued to this site. There's so much to see and take in that it will easily eat up your afternoon, heck your whole day. (Just ask my husband. He went without dinner all week.)
I've babbled enough, but I'd like to finish by saying that I'm no closer to finding out where I fit in. I'm hoping that with the feedback I receive from these two sites, I'll be better equipped to target the most appropriate agents.
TTYS
Tuesday, March 22, 2011
Uncensored Writing
What would happen if you were to "let it all hang out" writing-wise? Are you the type of writer that buffers their prose in an effort to keep anyone from being offended or, God forbid, letting the world see that you too can be crass and without manners? I can think of a time or two in which I sugar-coated my writing. I wouldn't want to ruffle anyone's feathers now, would I?
Well, what's wrong with a little ruffling, or rocking if you happen to be in a boat? While you're in the water, make some waves, why don't ya'. (Gotta' love the cliche'.)
In my last post I mentioned a writing exercise that may help some people cast off their writing inhibitions, as it were. This exercise was initially intended to stop writers from chronically self-editing their book on the first draft. But after completing the exercise, I was pleased to find that the exercise had a pleasant side effect. It forces your words to lie naked and exposed in all their uncensored glory.
At first I tried blindfolding myself, starting the kitchen timer and diving in to the exercise. After two minutes, I lost my place on the keyboard and had to peek out from under my blindfold in order to reorient myself. When I looked at the monitor, I was dismayed to find that I had been typing one letter off for the entire two minutes. (BTW, when you do that, it looks a lot like German.) So, grumbling a few choice words, I cast aside the blindfold, reset the timer and turned the monitor away from my view so I couldn't watch what I was typing. Below is 10 minutes of my storytelling at it's first uncensored blush, typos and all:
Well, what's wrong with a little ruffling, or rocking if you happen to be in a boat? While you're in the water, make some waves, why don't ya'. (Gotta' love the cliche'.)
In my last post I mentioned a writing exercise that may help some people cast off their writing inhibitions, as it were. This exercise was initially intended to stop writers from chronically self-editing their book on the first draft. But after completing the exercise, I was pleased to find that the exercise had a pleasant side effect. It forces your words to lie naked and exposed in all their uncensored glory.
At first I tried blindfolding myself, starting the kitchen timer and diving in to the exercise. After two minutes, I lost my place on the keyboard and had to peek out from under my blindfold in order to reorient myself. When I looked at the monitor, I was dismayed to find that I had been typing one letter off for the entire two minutes. (BTW, when you do that, it looks a lot like German.) So, grumbling a few choice words, I cast aside the blindfold, reset the timer and turned the monitor away from my view so I couldn't watch what I was typing. Below is 10 minutes of my storytelling at it's first uncensored blush, typos and all:
Our story starts out like any other: quiet and unassuming in a quiet and unassuming town located in America’s heartland. A village really. The town didn’t consist of much. If you were to blink, you’d miss it.
To the west of this town, A vast patchwork of corn fields reached up and around to the north all the way to the horizon. In the South was the Hastings Popcorn plant. And in the west, the little town of Hastings sat, looking like dollhouse miniatures. This town may not look it, but it was growing rapidly. The population sign at the edge of town had always read: Hastings, population 1,302. But recently, just the last five years or so, the sign read: Hastings population 1,302 ½. The ½ was added in red spray paint. This was a scandal in Hastings. Grafitti was the worst crime to have ever been seen here. But there the vandalism stayed. The town didn’t have the funds to pay for a new sign.
With Hasting’s growth, came a lot of children. If you look into the census records, I’m sure you would find that Hastings had more children than adults. The schools were bursting at the seams with young kids, teenagers, tall kids, chubby kids, athletic kids, dirty kids. All kinds of kids. For the most part, they got along fine if not for the occasional scrap on the playground. Hastings was proud of their children; featuring them in the local rag when they won the track meet, spelling bee or or made it a month without any caveties. Hastings was proud of all of their kids except one. You wouldn’t know it, but there was one child that no one in Hastings liked to talk about. As if it were a dirty word, no one mentioned the name Rosie Hawthorne. To do so would bring a pox on your family.
I like this little exercise. The words that I put on paper are more like the way that I think. It is as if I'm holding a microphone and reciting a seat-of-the-pants story for the audience. If you would like to see your writing in a new light, I highly recommend this exercise. Set the timer for 10 minutes or more and go for it. For more details on this exercise, please review my previous post.
Write happy, write often and never give up. :-)
Wednesday, March 2, 2011
The Inner Writer vs. the Inner Editor
Yes, I've heard it before, but I didn't listen. As a writer, I educate myself by reading articles and blogs as well as attending as many classes and conferences as I can afford. On more than one occasion, I've been told NOT to edit as I write. "First blush is the best" they say. Don't interrupt the muse or distract it by going back and tweeking the last paragraph.
Well this is hard for me. Very hard.
I don't expect a perfect first draft, but I do expect something that's readable, if not remotely resembling the finished product.
If you're anything like me, you'll finish a paragraph or two and go back and read it over. For me, this helps realign my thinking with the plot ahead. I become so completely immersed in the subject at hand, I need to be reminded where I'm going with this.
Well, yesterday I received my daily email/writing prompt from savvyauthors.com. It laid out a detailed exercise of free writing for 10 minutes. (10 minutes is just an example, but you can set the time however long you want.) They suggest that you set your kitchen timer, or your watch for a ten minute alarm, sit down with a notebook and write without self-editing for the set duration.
"Write the first thing that pops into your mind." They said. "Don't pause to reflect or come up with a better adjective, just write. And above all, don't go back for corrections. If you misspell something, leave it. No matter what you write, leave it."
Sounds intriguing, doesn't it? I'm not sure I can pull it off, but I will admit that I spend entirely too much time self-editing on a first draft. I wonder what it would look like if I just scribbled down the uncensored words in my head. I think I'll try it.
What about you?
Are you a chronic self-editor or perfectionist? Or are you the "fly-by-the-seat-of-your-pants" kind of person? Let me know. Hopefully, I'll post the results of my 10 minute exercise later today.
Ta-ta!
Well this is hard for me. Very hard.
I don't expect a perfect first draft, but I do expect something that's readable, if not remotely resembling the finished product.
If you're anything like me, you'll finish a paragraph or two and go back and read it over. For me, this helps realign my thinking with the plot ahead. I become so completely immersed in the subject at hand, I need to be reminded where I'm going with this.
Well, yesterday I received my daily email/writing prompt from savvyauthors.com. It laid out a detailed exercise of free writing for 10 minutes. (10 minutes is just an example, but you can set the time however long you want.) They suggest that you set your kitchen timer, or your watch for a ten minute alarm, sit down with a notebook and write without self-editing for the set duration.
"Write the first thing that pops into your mind." They said. "Don't pause to reflect or come up with a better adjective, just write. And above all, don't go back for corrections. If you misspell something, leave it. No matter what you write, leave it."
Sounds intriguing, doesn't it? I'm not sure I can pull it off, but I will admit that I spend entirely too much time self-editing on a first draft. I wonder what it would look like if I just scribbled down the uncensored words in my head. I think I'll try it.
What about you?
Are you a chronic self-editor or perfectionist? Or are you the "fly-by-the-seat-of-your-pants" kind of person? Let me know. Hopefully, I'll post the results of my 10 minute exercise later today.
Ta-ta!
Thursday, February 24, 2011
A Golden Rule for Writers??
As a blustering storms builds outside my window, a similar cold and cantankerous storm brews within me and I feel compelled to share my plight with you.
As you can see, it's been a while since I've posted anything new on my blog. This is because I haven't been writing lately.Oh sure, a little bit here and there. I've posted an entry on the monthly WEbook writing challenge and I've done some editing and reviews for a few fellow writers, but as for my novel in progress: Nothing.
Mind you, this is not for lack of inspiration or motivation. Those things still rage in me like the Amazon during rainy season. My problem is different. There's something in the storyline of The Swamplands that's hanging me up to the point that I don't want to write a word until I can put my finger on the exact nature of the problem.
My hang up is also hanging me up. By that I mean that I feel guilty for not writing. Anyone who has written or is in the process of writing a novel has probably heard the Golden Rule of writing. "You must write every day, even if it's only a few lines. You must write."
Well, I'm here to say that I disagree with that.
Sure, a writer should write something every day, but when a writer is in a funk like I am at the moment, I don't believe that they should dare write a single word in their current forming novel. In this less-than-genuine state, I truly believe that anything written in your novel will be sub-par; marred, at best. When you're not "in the zone" your prose will reflect that.
By all means, write other things; poems, short stories, enter contests. Just don't touch that novel until your issue is resolved. Think about if folks: If you go slopping through your N.I.P. in a state of mediocre placidity, you'll have to go back and edit the crap out of the crap you created later on. That to me seems like a waste of time and a travesty to your characters and plot.
Relax. Work on other projects. Just keep your novel in the back of your mind at all times, searching for the cure to whatever ails it. It will come to you. BUT do not listen to those that demand productiveness at the expense of quality. Join me in this revolutionary thought: "Let your muse lead the way."
Have a great day everyone!
As you can see, it's been a while since I've posted anything new on my blog. This is because I haven't been writing lately.Oh sure, a little bit here and there. I've posted an entry on the monthly WEbook writing challenge and I've done some editing and reviews for a few fellow writers, but as for my novel in progress: Nothing.
Mind you, this is not for lack of inspiration or motivation. Those things still rage in me like the Amazon during rainy season. My problem is different. There's something in the storyline of The Swamplands that's hanging me up to the point that I don't want to write a word until I can put my finger on the exact nature of the problem.
My hang up is also hanging me up. By that I mean that I feel guilty for not writing. Anyone who has written or is in the process of writing a novel has probably heard the Golden Rule of writing. "You must write every day, even if it's only a few lines. You must write."
Well, I'm here to say that I disagree with that.
Sure, a writer should write something every day, but when a writer is in a funk like I am at the moment, I don't believe that they should dare write a single word in their current forming novel. In this less-than-genuine state, I truly believe that anything written in your novel will be sub-par; marred, at best. When you're not "in the zone" your prose will reflect that.
By all means, write other things; poems, short stories, enter contests. Just don't touch that novel until your issue is resolved. Think about if folks: If you go slopping through your N.I.P. in a state of mediocre placidity, you'll have to go back and edit the crap out of the crap you created later on. That to me seems like a waste of time and a travesty to your characters and plot.
Relax. Work on other projects. Just keep your novel in the back of your mind at all times, searching for the cure to whatever ails it. It will come to you. BUT do not listen to those that demand productiveness at the expense of quality. Join me in this revolutionary thought: "Let your muse lead the way."
Have a great day everyone!
Friday, February 11, 2011
Checkov's Gun vs. Red Herring
I've recently familiarized myself with the theory and practice of what writers call "Checkov's Gun". I'm writing this blog today because I'm constantly surprised and invigorated by these little writing secrets and cliches I've come across.
Do you know what a red herring is?
How about a MacGuffin?
Checkov's Gun is another one of those intriguing little anecdotes that gives a name to something that writers know about, but didn't know what to call it.
Checkov's gun refers to the use of introducing a seemingly benign item or object early on in the story that turns out to play a pivotal role in the plot later on. (See link above for more info.)
A red herring is the opposite of Checkov's Gun. A red herring is a useless, meaningless object, person or occurrence that diverts your attention away from the truth or the suspect or the issue at hand. If not done properly, a red herring could lead to holes in the plot of the story and confuse the reader.
In one of my books, (and I'm not telling which one) I used a red herring to make an innocent person look guilty. If I didn't use this little trick, the plot would be thin and extremely predictable. So, red herrings can be useful if used properly.
I'd like to thank my friend Jessie for allowing me to participate in her recent workshop "Stargate Deconstruction". The movie Stargate has several excellent examples of Checkov's Gun. It was this workshop that introduced me to the concept.
Before I knew what Checkov's Gun was, I identified the concept in books and movies. I tried to explain it to my non-writer husband. All I got was a polite nod loaded with extreme disinterest. I suppose it's only
fascinating to writers and that's okay.
Red herrings and Checkov's Gun are both useful tools to make your stories richer and more dramatic. At the very least, I feel like a better writer just knowing what they are and how to identify them. I hope I was able to help you as well.
BFN
Wednesday, February 2, 2011
What Do They Mean, Cover Letter?
As any writer in the thick of querying agents, I come across a few surprises when I research each agency's submission guidelines. Just when I start getting into a routine of knowing exactly what I'm doing, up pops something new that snaps me back to attention.
Sometimes, they want your query attached in a certain format or file type. Sometimes they request your query be put in an attachment rather than in the body of the email. Sometimes vice-versa. But the one request that has always stumped me is when the agent/publisher asks for a cover letter. Everyone's heard of a cover letter when applying for a job. Most people know what that entails. I'm referring to a literary cover letter.
What's in a cover letter?
What are they looking for?
So I searched the internet. Would you believe I couldn't find anything? I asked my writer friends. Everyone drew a blank. I was actually passing up the agencies that asked for a cover letter simply because there was no information on how to create one.
Finally, I happened upon an article that spelled it out nicely for me. Hooray!! Here's the answer to the burning question:
A standard submission cover letter in the body of your email.
* Start the email by writing your contact information in the top left corner: Real name, address, phone, email address, title of the work, pen name if any, genre or category, and the word count of your manuscript according to MS Word. Don't round, and don't use "approximately 55,000 words." Please use the actual word count.
* Include your web or blog URL and any publication credits you may have.
* And don't forget the most important part-that short blurb that will pique our interest and make us eager to read more. Or at least give us your best attempt. We'll still read your manuscript even if the blurb isn't perfect.
How about that? My options have now vastly improved and I even get to practice my elevator pitch with a cover letter.
So there's your lesson for today folks. Now you won't feel like a twit when they so casually ask you for a cover letter. :-)
Sometimes, they want your query attached in a certain format or file type. Sometimes they request your query be put in an attachment rather than in the body of the email. Sometimes vice-versa. But the one request that has always stumped me is when the agent/publisher asks for a cover letter. Everyone's heard of a cover letter when applying for a job. Most people know what that entails. I'm referring to a literary cover letter.
What's in a cover letter?
What are they looking for?
So I searched the internet. Would you believe I couldn't find anything? I asked my writer friends. Everyone drew a blank. I was actually passing up the agencies that asked for a cover letter simply because there was no information on how to create one.
Finally, I happened upon an article that spelled it out nicely for me. Hooray!! Here's the answer to the burning question:
A standard submission cover letter in the body of your email.
* Start the email by writing your contact information in the top left corner: Real name, address, phone, email address, title of the work, pen name if any, genre or category, and the word count of your manuscript according to MS Word. Don't round, and don't use "approximately 55,000 words." Please use the actual word count.
* Include your web or blog URL and any publication credits you may have.
* And don't forget the most important part-that short blurb that will pique our interest and make us eager to read more. Or at least give us your best attempt. We'll still read your manuscript even if the blurb isn't perfect.
How about that? My options have now vastly improved and I even get to practice my elevator pitch with a cover letter.
So there's your lesson for today folks. Now you won't feel like a twit when they so casually ask you for a cover letter. :-)
Wednesday, January 19, 2011
The Fickle Muse of a Writer
Greetings Writers and Blog Followers!
It's been a while since I've posted anything. Mainly because I don't have anything substantial to report. I've received a couple more rejections. I think I'm starting to get used to it, which is slightly disturbing. I guess it comes with the territory.
I've also been doing a lot of reading and researching lately and I've come to the conclusion that I should share a recurring theme I've encountered. Whenever an author is interviewed, you can almost guarantee that the interviewer will ask, "Where do you get your ideas?" or "Where do you find your inspiration?" Unless a writer has only one place or situation in which they find their story ideas, this is an unanswerable question. 99.9% of writers will be unable to pinpoint exactly where or when their muse will strike. Inspiration is like lightning. You never know where it's going to strike and once it does hit you, you'll never be the same again.
In my case, I get most of my story ideas from my dreams. That's where "Wallflower" came from as well as about a half-dozen others that are yet to be written. Aside from that, my muse has pulled me aside and demanded my attention at the most inopportune times...say in the middle of church or at work when I'm dealing with a customer and can't break away.
I share something in common with many writers who say that their inspiration hits them when they're driving or in the shower. I can't tell you how many times I've been caught with soap in my hair and a brilliant idea of which I have no way of penning until I finish the showering process, dry off and make haste to my notebook. By that time, I will have surely forgotten the gist of the juiciness.
If you're just starting out as a writer or you're dying to learn how your favorite author conjures his or her magical tales, you're going to have to forget about it. He or she may be able to tell you where each individual story came from, but for the most part, a writer's muse is a fickle creature. It's always lurking in the shadows and you may or may not be able to put yourself in a situation where it's conducive to the muse, but for the most part, writers are at the mercy of their muse. You cannot, summon it. You cannot, replicate it, and you definitely cannot force it.
So you're asking, "Well, how do I find a story idea, or how do I get past this damn writer's block?"
First and foremost, calm yourself. Take a deep breath and stop trying so hard. Your muse can't work with all that stress and tension in the way. (Remember, your muse is a fickle celebrity who will storm off to their trailer at the slightest offense.)
Second, give your muse something to work with; a jumping off point, if you will. If your stories generally tend to be romantic or exotic, take a notebook and go someplace quiet and beautiful. Perhaps a museum or a botanical garden. If your stories are busy, hectic or horrific, go to a hospital, a police station or a graveyard. Sit, observe and imagine. Your muse will take one look at your surroundings and start spouting off "what-ifs" in no time.
It's been a while since I've posted anything. Mainly because I don't have anything substantial to report. I've received a couple more rejections. I think I'm starting to get used to it, which is slightly disturbing. I guess it comes with the territory.
I've also been doing a lot of reading and researching lately and I've come to the conclusion that I should share a recurring theme I've encountered. Whenever an author is interviewed, you can almost guarantee that the interviewer will ask, "Where do you get your ideas?" or "Where do you find your inspiration?" Unless a writer has only one place or situation in which they find their story ideas, this is an unanswerable question. 99.9% of writers will be unable to pinpoint exactly where or when their muse will strike. Inspiration is like lightning. You never know where it's going to strike and once it does hit you, you'll never be the same again.
In my case, I get most of my story ideas from my dreams. That's where "Wallflower" came from as well as about a half-dozen others that are yet to be written. Aside from that, my muse has pulled me aside and demanded my attention at the most inopportune times...say in the middle of church or at work when I'm dealing with a customer and can't break away.
I share something in common with many writers who say that their inspiration hits them when they're driving or in the shower. I can't tell you how many times I've been caught with soap in my hair and a brilliant idea of which I have no way of penning until I finish the showering process, dry off and make haste to my notebook. By that time, I will have surely forgotten the gist of the juiciness.
If you're just starting out as a writer or you're dying to learn how your favorite author conjures his or her magical tales, you're going to have to forget about it. He or she may be able to tell you where each individual story came from, but for the most part, a writer's muse is a fickle creature. It's always lurking in the shadows and you may or may not be able to put yourself in a situation where it's conducive to the muse, but for the most part, writers are at the mercy of their muse. You cannot, summon it. You cannot, replicate it, and you definitely cannot force it.
So you're asking, "Well, how do I find a story idea, or how do I get past this damn writer's block?"
First and foremost, calm yourself. Take a deep breath and stop trying so hard. Your muse can't work with all that stress and tension in the way. (Remember, your muse is a fickle celebrity who will storm off to their trailer at the slightest offense.)
Second, give your muse something to work with; a jumping off point, if you will. If your stories generally tend to be romantic or exotic, take a notebook and go someplace quiet and beautiful. Perhaps a museum or a botanical garden. If your stories are busy, hectic or horrific, go to a hospital, a police station or a graveyard. Sit, observe and imagine. Your muse will take one look at your surroundings and start spouting off "what-ifs" in no time.
Thursday, January 6, 2011
Achieving the Bliss Note
If you're a fan of Southpark, (my sympathies BTW,) you may recall an episode where they referred to what was called "the brown note". As I am a lady above all else, I will not elaborate as to what the brown note means. The reason I'm posting today is about how to achieve "The Bliss Note".
The Bliss Note is self-explanatory and has the opposite effect of the brown note. All writers have their own unique style of writing. They come from different corners of the globe, different walks of life, different work environments and each has a different way of getting themselves in the "writing zone." I'm comfortable in assuming that most writers have one thing in common: They listen to music while they write. Some may prefer complete and utter silence, but let's just say that MOST like to hear some music in the background, if only for the ambiance alone.
I am an extremely imaginative person. I see magic in everything and I soak it up like a wide-eyed child on his or her first trip to Disneyland. I have recently discovered my penchant for a certain sound in music. It is not genre necessarily, but the note arrangements. (Someday I will ask a music expert if such an assortment has a name.) This sort of music includes songs by Evenescense, Owl City and Daft Punk. It's a dreamy electronica kind of music with lots of minor and sharp notes.
Listening to this music catapults me into another world or dimension; a creative dimension. With this music in the background, (not blaring until my speakers have a tempter tantrum) my muse flows effortlessly and it actually gets me excited about writing and life in general.
Is there a certain music or artist that does that for you? Have you ever heard a song that makes the hair on your arms to stand at attention and forces you to close your eyes and sway with it? If you answered yes, you've caught a glimpse of your Bliss Note.
Don't be alarmed. They're not sending you subliminal messages in the music, the music itself has tapped into that ever-illusive spot in your brain that switches your creative juices on. Seize that song, download it and put it on a loop. I know that can get old quickly, so start making a list of more songs that have that magical effect on you. Write them down and before long, you'll have an epic playlist.
It doesn't matter how silly your choices are. Heck, I'm sure most of you would laugh yourselves into hysteria if you heard mine. Everything from Fatboy Slim to Disney's Main Street Electrical Parade. Music = inspiration. Push play, close your eyes and feel yourself launch into that cosmic infinity. Your stories will thank you for it. Every writer needs to find their Bliss Note.
The Bliss Note is self-explanatory and has the opposite effect of the brown note. All writers have their own unique style of writing. They come from different corners of the globe, different walks of life, different work environments and each has a different way of getting themselves in the "writing zone." I'm comfortable in assuming that most writers have one thing in common: They listen to music while they write. Some may prefer complete and utter silence, but let's just say that MOST like to hear some music in the background, if only for the ambiance alone.
I am an extremely imaginative person. I see magic in everything and I soak it up like a wide-eyed child on his or her first trip to Disneyland. I have recently discovered my penchant for a certain sound in music. It is not genre necessarily, but the note arrangements. (Someday I will ask a music expert if such an assortment has a name.) This sort of music includes songs by Evenescense, Owl City and Daft Punk. It's a dreamy electronica kind of music with lots of minor and sharp notes.
Listening to this music catapults me into another world or dimension; a creative dimension. With this music in the background, (not blaring until my speakers have a tempter tantrum) my muse flows effortlessly and it actually gets me excited about writing and life in general.
Is there a certain music or artist that does that for you? Have you ever heard a song that makes the hair on your arms to stand at attention and forces you to close your eyes and sway with it? If you answered yes, you've caught a glimpse of your Bliss Note.
Don't be alarmed. They're not sending you subliminal messages in the music, the music itself has tapped into that ever-illusive spot in your brain that switches your creative juices on. Seize that song, download it and put it on a loop. I know that can get old quickly, so start making a list of more songs that have that magical effect on you. Write them down and before long, you'll have an epic playlist.
It doesn't matter how silly your choices are. Heck, I'm sure most of you would laugh yourselves into hysteria if you heard mine. Everything from Fatboy Slim to Disney's Main Street Electrical Parade. Music = inspiration. Push play, close your eyes and feel yourself launch into that cosmic infinity. Your stories will thank you for it. Every writer needs to find their Bliss Note.
Tuesday, January 4, 2011
A Frantic Spirit
Writers are a sordid lot. They're also a sorted lot. (I love words like that.) It seems that all writers and artists are on the same mental plain or if you're so inclined, on the same mental "plane", flying in the same direction to the same destination. When their creative spirit flows, art is created. Those who live without this creative streak say things like, "This is an inspired work" or "Where do they come up with such ideas?"
To the writer or artist, such ideas and creations are as much of a surprise to them as they are to the observing public. We don't know where it comes from, we are simply compelled to paint it, chisel it or write it. If we don't, we feel our heads might explode from the idea growing and pressing against our brain.
This is why I'm writing this post. My head is not threatening to burst with ideas. It's already done that and I have 4 1/2 novels and countless short stories to prove it. My problem is the fact that I can't share my stories with the world. I can't find an agent or publisher, which would be my vein or channel to the world. My spirit is feeling frantic to have a writing CAREER.
People say, "You already have a writing career. You're writing, aren't you? Then you have a career." It's not like that, folks. Now that I've gotten my inspiration on paper and it's honed and ready for public consumption, I have no place to put it.
Here's a good analogy: Imagine yourself standing on a pillar of rock. This pillar of rock is at least ten stories tall and you're surrounded by the chasms of the Grand Canyon. On your pillar, you have approximately enough room to sit down, but no more. In your arms you hold all of the things that are nearest and dearest to your heart. Piled high in your two little arms you have your children, your spouse, your college degree, your photo albums, your skis or your treadmill (whatever floats your boat) and you're carrying them all gingerly and with great care, holding them as close to heart as possible. Suddenly, you have to pee. What do you do? Where can you set your things down? You turn in circles on your little pillar of rock. Beads of anxious sweat begin to trickle down your brow and your precious things have suddenly become very heavy. No one can hold your precious thing for you and you can't set them down. If you give in and take care of business as it were, you have no choice but to drop your most precious possessions into the great chasm, never to be seen again. As Keanu Reeves said in Speed, "What do you do?"
This is how my spirit is feeling. I'm frantically dashing around the literary planet saying, "Can you help me with this?" "Excuse me, do you have a home for this story?" "Pardon me, I'm sorry to bother you, but would you possibly be interested in publishing my work? I have lots more where that came from." I've gotten to the point where I just want to scream, "Heeeeyyyy! I'm a damn good writer. Publish me or point me to someone who can!!"
I can see you now: giving your computer monitor a wary leer as you contemplate just how mentally unstable I am. You may be on to something there, but I am in no way certifiable. I'm just getting older. I'm running out of time to achieve my dreams and my stories aren't doing anyone any good gathering dust in my proverbial drawer. They are homeless stories, without a voice, without an adoptive family. I am merely a catalyst, a foster home for these stories. I need someone to give my stories wings. If my stories never learn to fly, I will never fly and I'm feeling the pressure.
I'm writing this post against my better judgment. I feel that blogs of professional subjects should remain just that: professional, but according to Neil Gaiman, you should speak from the heart in your blogs. Let the world see you. I hold a lot of respect for Mr. Gaiman, so I'm taking his advice and giving you a glimpse of my own frantic writer's spirit.
We writers are a sordid lot; a sordid, sordid lot. *sigh*
To the writer or artist, such ideas and creations are as much of a surprise to them as they are to the observing public. We don't know where it comes from, we are simply compelled to paint it, chisel it or write it. If we don't, we feel our heads might explode from the idea growing and pressing against our brain.
This is why I'm writing this post. My head is not threatening to burst with ideas. It's already done that and I have 4 1/2 novels and countless short stories to prove it. My problem is the fact that I can't share my stories with the world. I can't find an agent or publisher, which would be my vein or channel to the world. My spirit is feeling frantic to have a writing CAREER.
People say, "You already have a writing career. You're writing, aren't you? Then you have a career." It's not like that, folks. Now that I've gotten my inspiration on paper and it's honed and ready for public consumption, I have no place to put it.
Here's a good analogy: Imagine yourself standing on a pillar of rock. This pillar of rock is at least ten stories tall and you're surrounded by the chasms of the Grand Canyon. On your pillar, you have approximately enough room to sit down, but no more. In your arms you hold all of the things that are nearest and dearest to your heart. Piled high in your two little arms you have your children, your spouse, your college degree, your photo albums, your skis or your treadmill (whatever floats your boat) and you're carrying them all gingerly and with great care, holding them as close to heart as possible. Suddenly, you have to pee. What do you do? Where can you set your things down? You turn in circles on your little pillar of rock. Beads of anxious sweat begin to trickle down your brow and your precious things have suddenly become very heavy. No one can hold your precious thing for you and you can't set them down. If you give in and take care of business as it were, you have no choice but to drop your most precious possessions into the great chasm, never to be seen again. As Keanu Reeves said in Speed, "What do you do?"
This is how my spirit is feeling. I'm frantically dashing around the literary planet saying, "Can you help me with this?" "Excuse me, do you have a home for this story?" "Pardon me, I'm sorry to bother you, but would you possibly be interested in publishing my work? I have lots more where that came from." I've gotten to the point where I just want to scream, "Heeeeyyyy! I'm a damn good writer. Publish me or point me to someone who can!!"
I can see you now: giving your computer monitor a wary leer as you contemplate just how mentally unstable I am. You may be on to something there, but I am in no way certifiable. I'm just getting older. I'm running out of time to achieve my dreams and my stories aren't doing anyone any good gathering dust in my proverbial drawer. They are homeless stories, without a voice, without an adoptive family. I am merely a catalyst, a foster home for these stories. I need someone to give my stories wings. If my stories never learn to fly, I will never fly and I'm feeling the pressure.
I'm writing this post against my better judgment. I feel that blogs of professional subjects should remain just that: professional, but according to Neil Gaiman, you should speak from the heart in your blogs. Let the world see you. I hold a lot of respect for Mr. Gaiman, so I'm taking his advice and giving you a glimpse of my own frantic writer's spirit.
We writers are a sordid lot; a sordid, sordid lot. *sigh*
Sunday, January 2, 2011
There's No Such Thing as an "Aspiring" Author
First of all, I hope everyone's Holiday went smoothly and with minimal drama. If not, I feel for you. If it went well, please don't rub it in.
Mine was better than expected. Being low on funds this year, my husband and I decided to forgo gifts for each other and concentrate on giving our 11 year old daughter an awesome Christmas. Her belief in Santa Claus is hanging on by a frayed and fragile thread and we figured we'd better make this Christmas count before all the fantasy and magic of Santa was a thing of the past.
Due to the Holidays, this blog has been neglected. Until now I was dreading to post, but now that all the hubbub is over, I have no excuses, so I sucked it up and here I am.
The aforementioned request for my full manuscript was rejected two days before Christmas. This is my twelfth official rejection, although this one hurts more than the rest. I felt that I had a pretty good connection with this agent, if not the potential for a blooming friendship. Our lighthearted communications were encouraging and gave me a glimpse into this person's personality. I crossed my fingers even tighter at the thought of acquiring such a wonderful agent.
His rejection letter was kind with a air of regret that he must reject my story. That in itself made me feel a little bit better, although I couldn't help but wonder if I'd ever get the chance to work with an agent that was so personable and, for lack of a better word, normal.
It is with a heavy heart that I feel compelled to deliver this message to every aspiring author out there. Are you ready?
THERE IS NO SUCH THING AS AN "ASPIRING" AUTHOR.
Yes, you heard me right and I hear you saying, "Well, I haven't been published yet. Therefore I am in the category of 'aspiring'."
Not true.
The truth of the matter is, if you have written anything, be it an epic novel or a limerick, and you intend to do it again, you are a writer. There's no "aspiring" about it. You've already done it.
When I finished my first novel, I hadn't yet decided whether or not to seek publication, but I knew one thing for sure: I had written a book, which is something most people only talk about. I did it and I loved it. I loved it so much that I decided to write another book and another and another. I am now working on my fifth book, but I am in the same swaying, rocking boat as all the first-time writers out there; the SS Author. We're in this together, you and I. Don't short-change yourself and don't let anyone tell you that you are less of an author simply because your story hasn't graced the bookstore shelves.
I say, welcome to Author-ship. (pun intended)
Mine was better than expected. Being low on funds this year, my husband and I decided to forgo gifts for each other and concentrate on giving our 11 year old daughter an awesome Christmas. Her belief in Santa Claus is hanging on by a frayed and fragile thread and we figured we'd better make this Christmas count before all the fantasy and magic of Santa was a thing of the past.
Due to the Holidays, this blog has been neglected. Until now I was dreading to post, but now that all the hubbub is over, I have no excuses, so I sucked it up and here I am.
The aforementioned request for my full manuscript was rejected two days before Christmas. This is my twelfth official rejection, although this one hurts more than the rest. I felt that I had a pretty good connection with this agent, if not the potential for a blooming friendship. Our lighthearted communications were encouraging and gave me a glimpse into this person's personality. I crossed my fingers even tighter at the thought of acquiring such a wonderful agent.
His rejection letter was kind with a air of regret that he must reject my story. That in itself made me feel a little bit better, although I couldn't help but wonder if I'd ever get the chance to work with an agent that was so personable and, for lack of a better word, normal.
It is with a heavy heart that I feel compelled to deliver this message to every aspiring author out there. Are you ready?
THERE IS NO SUCH THING AS AN "ASPIRING" AUTHOR.
Yes, you heard me right and I hear you saying, "Well, I haven't been published yet. Therefore I am in the category of 'aspiring'."
Not true.
The truth of the matter is, if you have written anything, be it an epic novel or a limerick, and you intend to do it again, you are a writer. There's no "aspiring" about it. You've already done it.
When I finished my first novel, I hadn't yet decided whether or not to seek publication, but I knew one thing for sure: I had written a book, which is something most people only talk about. I did it and I loved it. I loved it so much that I decided to write another book and another and another. I am now working on my fifth book, but I am in the same swaying, rocking boat as all the first-time writers out there; the SS Author. We're in this together, you and I. Don't short-change yourself and don't let anyone tell you that you are less of an author simply because your story hasn't graced the bookstore shelves.
I say, welcome to Author-ship. (pun intended)
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